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PRS for Music is the United Kingdom's leading collection society. Also, within the United Kingdom revenue from online streaming platforms, Spotify and Apple Music increased significantly year-over-year. This is good news for you as the investor, as 60% of this catalog’s income comes from what is noted as “international” which denotes royalties earned outside the United Kingdom including income from streaming platforms.

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By the end of 2018, there were 255 million users of paid subscription accounts globally. According to IFPI’S Global Music Report 2019, streaming revenues were up 34% in 2018, accounting for nearly half (47%) of total recorded music revenues. This can help sustain the asset’s earnings moving forward. A high Dollar Age like this suggests stability, longevity and is worth noting as an investor. The highest-earning track “Back To Life” was released in 1989 and three decades after its release, the song is seeing growth. This means the majority of royalties earned in the last 12 months come from songs that have generated royalties for over 29 years.

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This offering has a Dollar Age of 29.79 Years. Finally, Chanté Moore’s single “Love’s Taken Over” is also part of this collection, which peaked at No. This catalog contains additional Soul II Soul singles including “Love Enuff,” “Missing You,” “A Dream’s A Dream,” and “Represent.” Combined these tracks brought in 10% of last year’s income. Domestically in the U.K., streaming revenue grew impressively by 63% (noted as “Online” in the financial data) thanks to Spotify and Apple Music. International royalties also increased by 2% in the last year compared to the previous time frame. Looking at the income mix, 60% of last year’s revenue came from international sources, which include radio, streaming, and TV/Film from outside the United Kingdom. “Back To Life” also has continued relevance today, with artists sampling the composition in new releases, such as Big Boi’s “Shutterbug” (2010) and Lil Wayne’s “God Bless Amerika” (2013) to name a few - both songs are also included in this catalog. In fact, the song’s income grew 5% year-over-year and accounts for 60% of this asset's royalties over the last year. Impressively, thirty years after its release “Back To Life” still produces consistent revenue. 1 in the United States, the United Kingdom, the Netherlands, and Canada. “Back To Life” also topped the charts at No. The song won Best R&B Performance by a Duo or Group with Vocals at the 1990 Grammy Awards and picked up a nomination at the Brit Awards for Best Single the same year. Released in 1989, “Back To Life (However Do You Want Me)” was a hit with both critics and fans. What’s exciting is that this established offering not only continues to generate consistent earnings but in some cases, income sources are showing growth! Up for bid is a nearly 30 year-old R&B catalog highlighted by the Grammy-winning track “Back To Life” performed by British band Soul II Soul. Internet Streaming, Satellite Radio, Digital Downloads, CD Sales, TV/Film/Commercial Placements & Performances, Samples, etc. Internet Streaming, AM/FM & Satellite Radio, TV/Film/Commercial Performances, etc. ‡ Become a Royalty Exchange All Access Investor to waive auction fees and enjoy additional exclusive benefits.

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on Friday, October 26.* Please see the FAQ tab for more information on the 10-year investment term. Is your favorite restaurant inexplicably missing? Is there an overlooked chef doing great things in your local spot? The most thoughtful answer, with the most forceful argument, will earn you two tickets to the event, and the undying honor of appearing on Grub Street. So, tell us who you think the one chef or restaurant is that should be included in the event’s roster but isn’t and tell us exactly why. But for those of you who live from pork bun to pork bun, lacking the discretionary income to make the gala, we have a challenge, a way to make up for your emaciated wallet with the fatness of your gustatory acumen. And that’s if you can get a ticket at all! Of course, it’s worth every penny.

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It’s a magical event, but it’s not cheap: $200 for the VIP preview and $145 for general admission. As restaurant galas go, they don’t get much bigger than Taste of New York, our annual congress of the city’s top chefs, mixologists, and free-spending gourmands.










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